I got my second tattoo today! I got my first one when I was 18 and now my second at 35. I should be getting a third in my early 50s, I think.
When I described the pain to L, we had this conversation:
L: Did it hurt?
Me: YES.
Her: But they did everything they could to make it NOT hurt, right?
Me: No.
Her: [confused look]
Me: There isn't any way to make it NOT hurt. You are paying them to put ink under your skin in a design using needles. It's going to hurt.
Her [protesting]: But aren't scientists working on a way to make it hurt less?
Me [
trying not to bust a gut laughing]: I don't think so, but maybe you can grow up to be a scientist who works on that!
E was hoping that I would get a full dragon all along my upper and lower arm.
Okay, so here is the finished product:

Here is a comparison of design #1 and #2 and what I ended up with (a combo):

I read over all your suggestions (which I seriously loved getting even if I didn't agree with all of them) and asked him to:
1. tone down the daughter's left shoulder so it didn't look like she lifted weights
2. move E's name
3. add more of a suggestion of hands with the daughter's right and mother's left hands
4. use a standardized font (which I supplied)
After looking it over, I had him move E's name back. I asked her if she minded and she said she liked being up above everyone. I liked the line of the dress more (it looks like they're twirling/dancing) when her name wasn't there and I liked the triangular symmetry of having the names like that.
It was a bit of a cluster-eff to get everything done and I almost started looking for another studio. I thought that I would ask for my revisions and then someone would get back to me, so I waited two weeks before calling to check. I have no idea about the artistic process and wasn't in a particular hurry plus it was the holidays PLUS I hate the phone. Then I found out that in their move/construction (they bought/renovated the building next door), my second design was lost. I was a bit peeved that I wasn't called when that happened, but I've moved before and know how stressful it is and had gotten so many recommendations about this place that I decided to give them a conditional pass.
I re-sent them the original design and they still had my revisions and I got all that back within a week. I did decide to stay a bit more on top of things and emailed twice in that time. Maybe the client is supposed to be more involved? I don't know how this works. All the phone calls and email exchanges were very courteous, by the way, on both sides.
I had to call the make the appointment and I told her that I wanted to revise the revision and she said that was fine. I took the first appointment today (at noon! Oh to be a tattoo artist!). I went to my normal 10 am class at the Y and then my friend took C home with her for a play date. I showered and ate lunch and tried not to shit a brick in the car while I was waiting to go into the studio. I had a little bit of uncertainty and texted A to make sure he would still love me with a second tattoo. He said yes.
I am not the type to ever be 100% certain about something - I hate change and permanent change is stressful! - but I have been thinking about and planning this for a year or more, so I told myself with cold logic that I was as close to certain as I was capable of being. I agreed with myself and then told myself to NOT get nervous tummy because I didn't think I could recover from that embarrassment.
The studio itself was full of gauged-ear employees (100% with n=5) and a lot of different people. If you are hesitating about a tattoo because you think you'll stick out, you won't. There was a group of 40-ish white women and a young heavily tattooed white man and an older black woman in the waiting room with me. When I left (about 2 hours later) there were totally different people, but a wide variety still.
My artist was quite nice and frankly, if he hadn't been, I would have left and happily forfeited my $50 deposit. I'm okay that they lost my redesign during a move, but if he made me the least uncomfortable, I would have booked it. He went over the re-revisions with me and then I had to come back to his room. I was wearing a t-strap bra, a spaghetti strap tank top, and a sweater. I took off the sweater and pulled the tank top strap over my arm and hoped that the bra would be okay. One of the straps was in the way, however, so I had the slightly uncomfortable experience of pulling my bra off while he was in the room. I had prepared for the possibility, though, and that's why I wore the clothes I did even though it necessitated an extra load of laundry to wash the tank top last night.
I also kept reminding myself that he is a professional and he's certainly not ogling me or thinking of me in a sexual way any more than I do with my patients. UGH. NO. We all feel awkward when we have to show our bodies to a professional, but honestly, as one of those professionals, I am not critiquing you.
He applied the stencil (?)(I don't know what it was but it was paper that he got wet) to my shoulder and then I looked in the mirror to see if it was placed right. I had him re-do it and move it down an inch or so. It seemed easy for him to do and he said he could keep moving it until I was happy. Right before he started the tattoo process, I stopped him and got up one more time to check the placement and the name spelling. He was totally cool with that and it made me feel better. Better safe than Lamebook, right?
I had a trashy romance novel on my Kindle, so I read for a while and tried to ignore the pain. Ah yes. The Pain. It hurts, I won't lie, but I found it entirely tolerable except for a few short instances when I grimaced and forced myself to not withdraw. I have a high pain tolerance (I think - unmedicated labor has been my only true test) and I can mentally talk myself through short periods of Pain With Purpose. The tattooing is not a sharp pain to me, it's kind of like someone taking rough sandpaper and scraping you with force. It hurts abruptly at the beginning and then fades to an irritation with occasional forays into pain again. There was a lot of stopping and starting and I think those regular bouts of pain-free seconds helped me tolerate the whole experience more. It took about an hour of total tattooing time and he also took a ten minute break to let his machine cool down/smoke a cigarette.
I did ask him a few questions after listening to him talk to another artist about a difficult design that a client wanted. I asked if he ever told a client no in regards to a tattoo and he said yes, they don't do swastikas or any gang symbols and then volunteered that he's offered to clean up a piece of artwork that someone brought in only to be told, "My dead daughter drew that" or something similar. Otherwise, he's pretty willing to tattoo whatever, even if he doesn't like the design personally. I think he would have been amenable to more chitchat, but I had to concentrate to control the pain and I need quiet to concentrate and didn't want to interrupt his concentration if he needed that, too.
After he was done, he covered it with a dressing and I left it on till I got home a few hours later. My instructions said to wash my hands (the brochure I was given has EXCELLENT handwashing instructions - this RN approves!) then remove the dressing, wash the tattoo with unscented soap, dry carefully, and apply antibiotic ointment a few times a day for a week. After that, I wash and apply lotion a few times a day for another week. Then I should be all healed. E has a huge scrape on her side so we are in a race to see who heals first. There are various warnings about how the tattoo looks faded for a while or the ink looks like it bleeds or it scabs (don't pick it!) and so on.
Other details: I was at the studio for about 1.5 hours, it cost $100 + an earlier $50 deposit and I tipped $25. It's my birthday (last Nov)/Christmas present. I am having a minor "OMG I HAVE A POTENTIALLY VISIBLE SUMMER TATTOO" freak-out, but nothing major. I'm still very glad I got it. I will now take questions if you have any.